‘Hello, Dolly!’ Review: Imelda Staunton Is Marvelous in a Strikingly Sincere West End Revamp

Famous for many things, not least Carol Channing playing the title role more than 5,000 times, “Hello, Dolly!” is, happily, one of Broadway’s brashest, splashiest star vehicles whose relative lack of subtlety is heralded by the title’s exclamation point. Purists seeking yet another rehash of Gower Champion’s original blueprint may consider London’s hotly anticipated revival […]